Why I won’t be wearing a red poppy for Remembrance Sunday

George Norman tells us why wearing a white poppy on Remembrance Sunday is a symbol of respect

Sex: Theatre’s Last Taboo?

George discusses the dismantling of taboo in theatre, with one exception

Preview: The Illusion

George is enchanted at the promise of TFTV’s upcoming play, The Illusion

Review: Oleanna

George reviews Dramasoc’s “powerful” and “intellectually stimulating” production of Oleanna

To The Stage: Shows we’d like to see

Rear Window centres around Jeff (James Stewart), confined to his apartment in a leg cast. Though initially dejected, Jeff becomes entertained by what he sees out of his window and into those […]

Review: The Shambles and Freshers’ Sketch Show

George Norman reviews and thoroughly enjoys ComedySoc’s latest show.

Live review: I Fagiolini: ‘Gesualdo 400: Strange Harmony of Love’

“–this isn’t laugh a minute music. It is sad and brutal, rising and soaring, and then thundering down into nothingness. It is bleak and unforgiving. Gesualdo is a genius, because he can put that emotion across in his music.” George Norman reviews I Fagiolini.

A He Said, She Said Review: Romeo and Juliet

George Norman and Emily Mangles share their individual perspectives on Dramasoc’s Romeo and Juliet.

Review: The Crucible

George Norman reviews the Drama Barn’s production of the Arthur Miller classic ‘The Crucible’.

Review: The Night of the Barghest

George Norman reviews the Theatre Royal’s TakeOver production of “The Night of the Barghest”