This is Lambchop’s 11th album and established fans will not be disappointed. Unlike most successful musicians, Nashville born artist Kurt Wagner does not feel the need to change genre drastically at every new album. Inevitably, his music has developed over the years, but he is still consistent in his unique songwriting style.
The fourth track, ‘Mr. Met’, (the song which gives its name to the album), is strange but intriguing while ‘Gone Tomorrow’ is the most upbeat song you’re going to get on this album and is one of my favourites. It has a compelling beat and refreshing string arrangements which evolve over the course of the seven minutes.
Track five, enigmatically named ‘Gar’, is relaxed with a slow melody in a range of styles played by a variety of instruments. Although five minutes long, this song has no words and at times, bizarrely, it reminds me of the music found in a lift. Not what you might think you want from an album, but it can be surprisingly relaxing.
‘Nice Without Mercy’ is again quite slow but full of feeling. His voice is perfect for this song, enabling him to portray emotion even though the lyrics are about the menial tasks of daily life. Inevitably, the subject matter makes the track not the most exciting to listen to, but it is still worth a listen.
The album shows daring experimentation with lengthy instrumental sections, open arrangements and a range of vamps and drones that enhance his unique, 1950s sound. His genre is hard to define as he explores such a range of styles from country to folk to funk and is never afraid to try something new, ensuring a surprise with each track.
Although the album is definitely down to individual taste, the tracks are an enriching mixture of different styles and emotions; there is something there for every mood.